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Translating the Elderly: Amour, The Intern, and Our Many Selves
Michael Haneke’s 2012 Amour begins with a piano recital. Before Schubert’s Impromptu, Op. 90 in G-Flat Major consumes the theater, Haneke rests the camera’s gaze upon the audience. We hear the sound of...
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The Rumpus Review of The Light Between Oceans
The Light Between Oceans marks the first of a slew of pre-Oscar fall films. There were high expectations for the movie, especially with the media surrounding Michael Fassbender and Alicia Vikander’s...
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